“Go away,” she
said voicelessly. Aureliano, smiled, picked her up by the waist with
both hands like a pot of begonias, and dropped her on her back on the bed. With
a brutal tug he pulled off her bathrobe before she had time to resist and he
loomed over an abyss of newly washed nudity whose skin color, lines of fuzz,
and hidden moles had all been imagined in the shadows of the other rooms.
Amaranta Úrsula defended herself sincerely with the astuteness of a wise woman,
weaseling her slippery, flexible, and fragrant weasel’s body as she tried to
knee him in the kidneys and scorpion his face with her nails, but without
either of them giving a gasp that might not have been taken for that breathing
of a person watching the meager April sunset through the open window. It was a fierce fight, a battle to the death, but it seemed to be
without violence because it consisted of distorted attacks and ghostly
evasions, slow, cautious, solemn, so that during it all there was time for the
petunias to bloom and for Gaston to forget about his aviator’s dream in the
next room, as if they were two enemy lovers seeking reconciliation at the
bottom of an aquarium. In the heat of that savage and ceremonious struggle,
Amaranta Úrsula understood that her meticulous silence was so irrational that
it could awaken the suspicions of her nearby husband much more than the sound
of warfare that they were trying to avoid.
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